Download Modeling Collision Sounds: Non-Linear Contact Force A model for physically based synthesis of collision sounds is proposed. Attention is focused on the non-linear contact force, for which both analytical and experimental results are presented. Numerical implementation of the model is discussed, with regard to accuracy and efficiency issues. As an application, a physically based audio effect is presented.
Download Reverberation still in business: Thickening and Propagating micro-textures in physics-based sound modeling Artificial reverberation is usually introduced, as a digital audio effect, to give a sense of enclosing architectural space. In this paper we argue about the effectiveness and usefulness of diffusive reverberators in physically-inspired sound synthesis. Examples are given for the synthesis of textural sounds, as they emerge from solid mechanical interactions, as well as from aerodynamic and liquid phenomena.
Download Modeling Interactions between Rubbed Dry Surfaces Using an Elasto-Plastic Friction Model A physically based model of the frictional interaction between dry surfaces is presented. The paper reviews a number of static and dynamic friction models, and discusses numerical techniques for the accurate and efficient numerical implementation of a dynamic elasto-plastic model. An application to the bowed string is provided, and the resulting simulations are compared to recent results from the literature.
Download Physics-Based and Spike-Guided Tools for Sound Design In this paper we present graphical tools and parameters search algorithms for the timbre space exploration and design of complex sounds generated by physical modeling synthesis. The tools are built around a sparse representation of sounds based on Gammatone functions and provide the designer with both a graphical and an auditory insight. The auditory representation of a number of reference sounds, located as landmarks in a 2D sound design space, provides the designer with an effective aid to direct his search for new sounds. The sonic landmarks can either be synthetic sounds chosen by the user or be automatically derived by using clever parameter search and clustering algorithms. The proposed probabilistic method in this paper makes use of the sparse representations to model the distance between sparsely represented sounds. A subsequent optimization model minimizes those distances to estimate the optimal parameters, which generate the landmark sounds on the given auditory landscape.
Download Using the waveguide mesh in modelling 3D resonators Most of the results found by several researchers, during these years, in physical modelling of two dimensional (2D) resonators by means of waveguide meshes, extend without too much difficulty to the three dimensional (3D) case. Important parameters such as the dispersion error, the spatial bandwidth, and the sampling efficiency, which characterize the behavior and the performance of a waveguide mesh, can be reformulated in the 3D case, giving the possibility to design mesh geometries supported by a consistent theory. A comparison between different geometries can be carried out in a theoretical context. Here, we emphasize the use of the waveguide meshes as efficient tools for the analysis of resonances in 3D resonators of various shapes. For this purpose, several mesh geometries have been implemented into an application running on a PC, provided with a graphical interface that allows an easy input of the parameters and a simple observation of the consequent system evolution and the output data. This application is especially expected to give information on the modes resonating in generic 3D shapes, where a theoretical prediction of the modal frequencies is hard to do.
Download Acoustic rendering of particle‐based simulation of liquids in motion This paper presents an approach to the synthesis of acoustic emission due to liquids in motion. First, the models for the liquid motion description, based on a particle-based fluid dynamics representation, and for the acoustic emission are described, along with the criteria for the control of the audio algorithms through the parameters of the particles system. Then, the experimental results are discussed for a configuration representing the falling of a liquid volume into an underlying rigid container.
Download Recognition Of Ellipsoids From Acoustic Cues Ideal three-dimensional resonators are “labeled” (identified) by infinite sequences of resonance modes, whose distribution depends on the resonator shape. We are investigating the ability of human beings to recognize these shapes by auditory spectral cues. Rather than focusing on a precise simulation of the resonator, we want to understand if the recognition takes place using simplified “cartoon” models, just providing the first resonances that identify a shape. In fact, such models can be easily translated into efficient algorithms for real-time sound synthesis in contexts of human-machine interaction, where the resonator shape and other rendering parameters can be interactively manipulated. This paper describes the method we have followed to come up with an application that, executed in real-time, can be used in listening tests of shape recognition and together with human-computer interfaces.
Download Computation of Nonlinear Filter Networks Containing Delay-Free Paths A method for solving filter networks made of linear and nonlinear filters is presented. The method is valid independently of the presence of delay-free paths in the network, provided that the nonlinearities in the system respect certain (weak) hypotheses verified by a wide class of real components: in particular, that the contribution to the output due to the memory of the nonlinear blocks can be extracted from each nonlinearity separately. The method translates into a general procedure for computing the filter network, hence it can serve as a testbed for offline testing of complex audio systems and as a starting point toward further code optimizations aimed at achieving real time.
Download Fractionally-addressed Delay Lines While traditional implementations of digital delay lines are based on a circular buffer accessed by two pointers, we propose an implementation where a single fractional pointer is used both for reading and writing operations. On modern general-purpose architectures, the proposed method is nearly as efficient as the popular interpolated circular buffer, but it offers better performance in terms of frequency-dependent attenuation and response to delay-length modulations.
Download Recognition of Distance Cues from a Virtual Spatialization Model Emerging issues in the auditory display aim at increasing the usability of interfaces. In this paper we present a virtual resonating environment, which synthesizes distance cues by means of reverberation. We realize a model that recreates the acoustics inside a tube, applying a numerical scheme called Waveguide Mesh, and we present the psychophysical experiments we have conducted for validating the information about distance conveyed by the virtual environment.