Download B-Format Acoustic Impulse Response Measurement and Analysis In the Forest at Koli National Park, Finland Acoustic impulse responses are used for convolution based auralisation and reverberation techniques for a range of applications, such as music production, sound design and virtual reality systems. These impulse responses can be measured in real world environments to provide realistic and natural sounding reverberation effects. Analysis of this data can also provide useful information about the acoustic characteristics of a particular space. Currently, impulse responses recorded in outdoor conditions are not widely available for surround sound auralisation and research purposes. This work presents results from a recent acoustic survey of measurements at three locations in the snow covered forest of Koli National Park in Finland during early spring. Acoustic impulse responses were measured using a B-format Soundfield microphone and a single loudspeaker. The results are analysed in terms of reverberation and spatial characteristics. The work is part of a larger study to collect and investigate acoustic impulse responses from a variety of outdoor locations under different climatic conditions.
Download Audio-Tactile Glove This paper introduces the Audio-Tactile Glove, an experimental tool for the analysis of vibrotactile feedback in instrument design. Vibrotactile feedback provides essential information in the operation of acoustic instruments. The Audio-Tactile Glove is designed as a research tool for the investigation of the various techniques used to apply this theory to digital interfaces. The user receives vibrations via actuators distributed throughout the glove, located so as not to interrupt the physical contact required between user and interface. Using this actuator array, researchers will be able to independently apply vibrotactile information to six stimulation points across each hand exploiting the broad frequency range of the device, with specific sensitivity within the haptic frequency range of the hand. It is proposed that researchers considering the inclusion of vibrotactile feedback in existing devices can utilize this device without altering their initial designs.
Download Digital Audio Device Creation by the use of a Domain Specific Language and a Hardware Abstraction Layer The present paper deals with a framework destined to manage different aspects of the creation of digital audio devices. By means of a domain-specific language modelling aspects like signal processing and user interaction are implemented. The problem of different hardware interfaces is resolved by the definition of a hardware abstraction layer. This layer provides different types of variables and functions. A compiler translates the model referring the functions and variables defined at the hardware abstraction layer. Furthermore, the compiler is able to split the model into different parts that can be run on different hardware components. The communication needed to manage the distributed model is defined and formalized by the framework. A simple example is presented to help explain the framework’s parts, as are the compiler and the execution unit.
Download Information Retrieval of Marovany Zither Music Based on an Original Optical-Based System In this work, we introduced an original optical-based retrieval system dedicated to the music analysis of the marovany zither, a traditional instrument of Madagascar. From a humanistic perspective, our motivation for studying this particular instrument is its cultural importance due to its association with a possession ritual called tromba. The long-term goal of this work is to achieve a systematic classification of the marovany musical repertoire in this context of trance, and to classify the different recurrent musical patterns according to identifiable information. From an engineering perspective, we worked on the problem of competing signals in audio field recordings, e.g., from audience participation or percussion instruments. To overcome this problem, we recommended the use of a multichannel optical recording, putting forward technological qualities such as acquisition of independent signals corresponding to each string, high signal to noise ratio (high sensitivity to string displacement / low sensitivity to external sources), systematic inter-notes demarcation resulting from the finger-string contact. Optical signal characteristics greatly simplify the delicate task of automatic music transcription, especially when facing polyphonic music in noisy environment.
Download Re-Thinking Sound Separation: Prior Information and Additivity Constraint in Separation Algorithms In this paper, we study the effect of prior information on the quality of informed source separation algorithms. We present results with our system for solo and accompaniment separation and contrast our findings with two other state-of-the art approaches. Results suggest current separation techniques limit performance when compared to extraction process of prior information. Furthermore, we present an alternative view of the separation process where the additivity constraint of the algorithm is removed in the attempt to maximize obtained quality. Plausible future directions in sound separation research are discussed.