Download Optimization techniques for a physical model of human vocalisation We present a non-supervised approach to optimize and evaluate the synthesis of non-speech audio effects from a speech production model. We use the Pink Trombone synthesizer as a case study of a simplified production model of the vocal tract to target nonspeech human audio signals –yawnings. We selected and optimized the control parameters of the synthesizer to minimize the difference between real and generated audio. We validated the most common optimization techniques reported in the literature and a specifically designed neural network. We evaluated several popular quality metrics as error functions. These include both objective quality metrics and subjective-equivalent metrics. We compared the results in terms of total error and computational demand. Results show that genetic and swarm optimizers outperform least squares algorithms at the cost of executing slower and that specific combinations of optimizers and audio representations offer significantly different results. The proposed methodology could be used in benchmarking other physical models and audio types.
Download A DDSP Framework for Adaptive Room Equalization Adaptive room equalization remains challenging under time-varying acoustic conditions and complex excitation signals, such as music. In these scenarios, classical filtered-x least mean squares (Fx-LMS) methods falter due to their rigid formulation. We present a modular differentiable digital signal processing (DDSP) framework for closed-loop adaptive room equalization that recovers Fx-LMS as a special case through automatic differentiation. The framework supports interchangeable EQ structures, response estimation methods, loss functions, and optimizers. Experiments with time-varying measured room impulse responses show that frequency-domain objectives provide more stable adaptation than time-domain objectives in the considered scenarios. Relative to the non-equalized response, system distance is reduced by 70% and mel-spectral distance by 13% (worst-case scenario). We further examine how online room response estimation accuracy and frame length affect the trade-off between responsiveness and convergence stability. Overall, the framework provides a unified open-source basis for exploring synergies between classical adaptive filtering and DDSP-based optimization.
Download Vocal Tract Area Estimation by Gradient Descent Articulatory features can provide interpretable and flexible controls for the synthesis of human vocalizations by allowing the user to directly modify parameters like vocal strain or lip position. To make this manipulation through resynthesis possible, we need to estimate the features that result in a desired vocalization directly from audio recordings. In this work, we propose a white-box optimization technique for estimating glottal source parameters and vocal tract shapes from audio recordings of human vowels. The approach is based on inverse filtering and optimizing the frequency response of a waveguide model of the vocal tract with gradient descent, propagating error gradients through the mapping of articulatory features to the vocal tract area function. We apply this method to the task of matching the sound of the Pink Trombone, an interactive articulatory synthesizer, to a given vocalization. We find that our method accurately recovers control functions for audio generated by the Pink Trombone itself. We then compare our technique against evolutionary optimization algorithms and a neural network trained to predict control parameters from audio. A subjective evaluation finds that our approach outperforms these black-box optimization baselines on the task of reproducing human vocalizations.