Download Sound synthesis using an allpass filter chain with audio‐rate coefficient modulation
This paper describes a sound synthesis technique that modulates the coefficients of allpass filter chains using audio-rate frequencies. It was found that modulating a single allpass filter section produces a feedback AM–like spectrum, and that its bandwidth is extended and further processed by non-sinusoidal FM when the sections are cascaded. The cascade length parameter provides dynamic bandwidth control to prevent upper range aliasing artifacts, and the amount of spectral content within that band can be controlled using a modulation index parameter. The technique is capable of synthesizing rich and evolving timbres, including those resembling classic virtual analog waveforms. It can also be used as an audio effect with pitch-tracked input sources. Software and sound examples are available at http://www.acoustics.hut.fi/publications/papers/dafx09-cm/
Download Vector Phaseshaping Synthesis
This paper introduces the Vector Phaseshaping (VPS) synthesis technique, which extends the classic Phase Distortion method by providing flexible means to distort the phase of a sinusoidal oscillator. This is achieved by describing the phase distortion function using one or more breakpoint vectors, which are then manipulated in two dimensions to produce waveshape modulation at control and audio rates. The synthesis parameters and their effects are explained, and the spectral description of the method is derived. Certain synthesis parameter combinations result in audible aliasing, which can be reduced with a novel aliasing suppression algorithm described in the paper. The extension is capable of producing a variety of interesting harmonic and inharmonic spectra, including for instance, formant peaks, while the two-dimensional form of the control parameters is expressive and is well suited for interactive applications.
Download Virtual Analog Oscillator Hard Synchronisation: Fourier series and an efficient implementation
This paper investigates a number of digital methods to produce the Analog subtractive synthesis effect of ‘Hard Synchronisation.’ While the original effect is produced by an explicit waveform phase reset, other approaches are given that produce an equivalent output. In particular, based on measurements taken from a real-analog synthesizer, a comb filtering model is proposed. This description ties in with earlier work but here an explicit structure is provided. This filter-based approach is then shown to be far more computationally efficient than the synchronisation by phase reset. This efficiency is at a minor cost as it is shown that it has a minimal impact on the sonic accuracy.
Download Examining the Oscillator Waveform Animation Effect
An enhancing effect that can be applied to analogue oscillators in subtractive synthesizers is termed Animation, which is an efficient way to create a sound of many closely detuned oscillators playing in unison. This is often referred to as a supersaw oscillator. This paper first explains the operating principle of this effect using a combination of additive and frequency modulation synthesis. The Fourier series will be derived and results will be presented to demonstrate its accuracy. This will then provide new insights into how other more general waveform animation processors can be designed.