Download Self-Organised Sounds with a Tremolo Oscillator Tremolo is usually regarded as belonging to the domain of note embellishments. Rapid tremolo, taken into the audio range, is an interesting synthesis technique which is related to FM and granular synthesis. We present a tremolo oscillator, capable of a wide range of sonorities, and illustrate some of its capabilities in applications such as feature-based synthesis and sonification. A reference implementation in Csound is given. The tremolo oscillator is then put into a feedback system, where its output is subject to feature extraction, and the extracted features in turn are mapped to its control parameters. Chaotic orbits in this feedback system guarantee continuous variation, in contrast to the trivial periodic patterns that are easily obtained.
Download Iterative Structured Shrinkage Algorithms for Stationary/Transient Audio Separation In this paper, we present novel strategies for stationary/transient signal separation in audio signals in order to exploit the basic observation that stationary components are sparse in frequency and persistent over time whereas transients are sparse in time and persistent across frequency. We utilize a multi-resolution STFT approach which allows to define structured shrinkage operators to tune into the characteristic spectrotemporal shapes of the stationary and transient signal layers. Structure is incorporated by considering the energy of time-frequency neighbourhoods or modulation spectrum regions instead of individual STFT coefficients, and shrinkage operators are employed in a dual-layered Iterated Shrinkage/Thresholding Algorithm (ISTA) framework. We further propose a novel iterative scheme, Iterative Cross-Shrinkage (ICS). In experiments using artificial test signals, ICS clearly outperforms the dual-layered ISTA and yields particularly good results in conjunction with a dynamic update of the shrinkage thresholds. The application of the novel algorithms to recordings from acoustic musical instruments provides perceptually convincing separation of transients.
Download Wave Field Synthesis - A Promising Spatial Rendering Concept Modern convolution technologies offer possibilities to overcome principle shortcomings of loudspeaker stereophony by exploiting the Wave Field Synthesis (WFS) concept for rendering virtual spatial characteristics of sound events. Based on the Huygens principle loudspeaker arrays are reproducing a synthetic sound field around the listener, whereby the dry audio signal is combined with measured or modelled information about the room and the source’s position to enable the accurate reproduction of the source within its acoustical environment. Not surprisingly, basic and practical constraints of WFS systems limit the rendering accurateness and the perceived spatial audio quality to a certain degree, dependent on characteristic features and technical parameters of the sound field synthesis. However, recent developments have shown already that a number of applications could be possible in the near future. An attractive example is the synthesis of WFS and stereophony offering enhanced freedom in sound design as well as improved quality and more flexibility in practical playback situations for multichannel sound mixes.
Download FAST MUSIC – An Efficient Implementation Of The Music Algorithm For Frequency Estimation Of Approximately Periodic Signals Noise subspace methods are popular for estimating the parameters of complex sinusoids in the presence of uncorrelated noise and have applications in musical instrument modeling and microphone array processing. One such algorithm, MUSIC (Multiple Signal Classification) has been popular for its ability to resolve closely spaced sinusoids. However, the computational efficiency of MUSIC is relatively low, since it requires an explicit eigenvalue decomposition of an autocorrelation matrix, followed by a linear search over a large space. In this paper, we discuss methods for and the benefits of converting the Toeplitz structure of the autocorrelation matrix to circulant form, so that eigenvalue decomposition can be replaced by a Fast Fourier Transform (FFT) of one row of the matrix. This transformation requires modeling the signal as at least approximately periodic over some duration. For these periodic signals, the pseudospectrum calculation becomes trivial and the accuracy of the frequency estimates only depends on how well periodicity detection works. We derive a closed-form expression for the pseudospectrum, yielding large savings in computation time. We test our algorithm to resolve closely spaced piano partials.
Download A Quaternion-Phase Oscillator An approach to designing dynamical systems with a three-dimensional state space is described that can be used to build a variety of non-periodic oscillators. The state space is taken to be a 3sphere, which is identified with the manifold of unit quaternions. Any such system can be described as a quaternion-valued ordinary differential equation, which is digitally realized using an approximation as a finite difference e quation. Two examples are shown. Compared to previous applications of dynamical systems used to generate audio samples, the approach described here offers a wide choice of specific flows which can neither diverge nor approach a stable limit point.
Download Efficient finite-difference room acoustics simulation incorporating extended-reacting elements A method is proposed that allows finite-difference (FD) simulation of room acoustics to incorporate extended-reacting porous elements without adding major computational cost. The porous elements are described by a rigid-frame equivalent fluid model and are incorporated into the time-domain formulation through auxiliary differential equations. By using a local staggered grid scheme for the boundaries of the porous elements, the method allows an efficient second-order scalar approach to be used for the uniform air and porous element interior regions that make up the majority of the computational domain. Both the scalar and staggered schemes are based on a face-centered cubic grid to minimize numerical dispersion. A software implementation running on GPU shows the accuracy of the method compared to a theoretical reference, and demonstrates the method’s computational efficiency through a benchmark example.
Download Effect of augmented audification on perception of higher statistical moments in noise Augmented audification has recently been introduced as a method that blends between audification and an auditory graph. Advantages of both standard methods of sonification are preserved. The effectivity of the method is shown in this paper by the example of random time series. Just noticeable kurtosis differences are effected positively by the new method as compared to pure audification. Furthermore, skewness can be made audible.
Download A Database of Partial Tracks for Evaluation of Sinusoidal Models This paper presents a database of partial tracks extracted from synthetic as well as pre-recorded musical signals, designed to serve as an ancillary tool for evaluation of sinusoidal analysis algorithms. In order to accomplish this goal, the database requirements have been carefully specified. A semi-automatic analysis methodology to ensure the track parameters are precisely estimated has been employed. The overall methodology is validated via the application of performance tests over the synthetic source-signals.
Download A supervised learning approach to ambience extraction from mono recordings for blind upmixing A supervised learning approach to ambience extraction from onechannel audio signals is presented. The extracted ambient signals are applied for the blind upmixing of musical audio recordings to surround sound formats. The input signal is processed by means of short-term spectral attenuation. The spectral weights are computed using a low-level feature extraction process and a neural network regression method. The multi-channel audio signal is generated by feeding the computed ambient signal into the rear channels of a surround sound system.
Download The Role of Modal Excitation in Colorless Reverberation A perceptual study revealing a novel connection between modal
properties of feedback delay networks (FDNs) and colorless reverberation is presented. The coloration of the reverberation tail
is quantified by the modal excitation distribution derived from the
modal decomposition of the FDN. A homogeneously decaying allpass FDN is designed to be colorless such that the corresponding narrow modal excitation distribution leads to a high perceived
modal density. Synthetic modal excitation distributions are generated to match modal excitations of FDNs. Three listening tests
were conducted to demonstrate the correlation between the modal
excitation distribution and the perceived degree of coloration. A
fourth test shows a significant reduction of coloration by the colorless FDN compared to other FDN designs. The novel connection of modal excitation, allpass FDNs, and perceived coloration
presents a beneficial design criterion for colorless artificial reverberation.