Download Neural Audio Processing on Android Phones This study investigates the potential of real-time inference of neural audio effects on Android smartphones, marking an initial step towards bridging the gap in neural audio processing for mobile devices. Focusing exclusively on processing rather than synthesis, we explore the performance of three open-source neural models across five Android phones released between 2014 and 2022, showcasing varied capabilities due to their generational differences. Through comparative analysis utilizing two C++ inference engines (ONNX Runtime and RTNeural), we aim to evaluate the computational efficiency and timing performance of these models, considering the varying computational loads and the hardware specifics of each device. Our work contributes insights into the feasibility of implementing neural audio processing in real-time on mobile platforms, highlighting challenges and opportunities for future advancements in this rapidly evolving field.
Download Wave Digital Modeling of Circuits with Multiple One-Port Nonlinearities Based on Lipschitz-Bounded Neural Networks Neural networks have found application within the Wave Digital Filters (WDFs) framework as data-driven input-output blocks for modeling single one-port or multi-port nonlinear devices in circuit systems. However, traditional neural networks lack predictable bounds for their output derivatives, essential to ensure convergence when simulating circuits with multiple nonlinear elements using fixed-point iterative methods, e.g., the Scattering Iterative Method (SIM). In this study, we address such issue by employing Lipschitz-bounded neural networks for regressing nonlinear WD scattering relations of one-port nonlinearities.
Download Decoding Sound Source Location From EEG: Preliminary Comparisons of Spatial Rendering and Location Spatial auditory acuity is contingent on the quality of spatial cues presented during listening. Electroencephalography (EEG) shows promise for finding neural markers of such acuity present in recorded neural activity, potentially mitigating common challenges with behavioural assessment (e.g., sound source localisation tasks). This study presents findings from three preliminary experiments which investigated neural response variations to auditory stimuli under different spatial listening conditions: free-field (loudspeakerbased), individual Head-Related Transfer-Functions (HRTF), and non-individual HRTFs. Three participants, each participating in one experiment, were exposed to auditory stimuli from various spatial locations while neural activity was recorded via EEG. The resultant neural responses underwent a decoding protocol to asses how decoding accuracy varied between stimuli locations over time. Decoding accuracy was highest for free-field auditory stimuli, with significant but lower decoding accuracy between left and right hemisphere locations for individual and non-individual HRTF stimuli. A latency in significant decoding accuracy was observed between listening conditions for locations dominated by spectral cues. Furthermore, findings suggest that decoding accuracy between free-field and non-individual HRTF stimuli may reflect behavioural front-back confusion rates.
Download Evaluating Neural Networks Architectures for Spring Reverb Modelling Reverberation is a key element in spatial audio perception, historically achieved with the use of analogue devices, such as plate and spring reverb, and in the last decades with digital signal processing techniques that have allowed different approaches for Virtual Analogue Modelling (VAM). The electromechanical functioning of the spring reverb makes it a nonlinear system that is difficult to fully emulate in the digital domain with white-box modelling techniques. In this study, we compare five different neural network architectures, including convolutional and recurrent models, to assess their effectiveness in replicating the characteristics of this audio effect. The evaluation is conducted on two datasets at sampling rates of 16 kHz and 48 kHz. This paper specifically focuses on neural audio architectures that offer parametric control, aiming to advance the boundaries of current black-box modelling techniques in the domain of spring reverberation.
Download NBU: Neural Binaural Upmixing of Stereo Content While immersive music productions have become popular in recent years, music content produced during the last decades has been predominantly mixed for stereo. This paper presents a datadriven approach to automatic binaural upmixing of stereo music. The network architecture HDemucs, previously utilized for both source separation and binauralization, is leveraged for an endto-end approach to binaural upmixing. We employ two distinct datasets, demonstrating that while custom-designed training data enhances the accuracy of spatial positioning, the use of professionally mixed music yields superior spatialization. The trained networks show a capacity to process multiple simultaneous sources individually and add valid binaural cues, effectively positioning sources with an average azimuthal error of less than 11.3 ◦ . A listening test with binaural experts shows it outperforms digital signal processing-based approaches to binauralization of stereo content in terms of spaciousness while preserving audio quality.
Download ICGAN: An Implicit Conditioning Method for Interpretable Feature Control of Neural Audio Synthesis Neural audio synthesis methods can achieve high-fidelity and realistic sound generation by utilizing deep generative models. Such models typically rely on external labels which are often discrete as conditioning information to achieve guided sound generation. However, it remains difficult to control the subtle changes in sounds without appropriate and descriptive labels, especially given a limited dataset. This paper proposes an implicit conditioning method for neural audio synthesis using generative adversarial networks that allows for interpretable control of the acoustic features of synthesized sounds. Our technique creates a continuous conditioning space that enables timbre manipulation without relying on explicit labels. We further introduce an evaluation metric to explore controllability and demonstrate that our approach is effective in enabling a degree of controlled variation of different synthesized sound effects for in-domain and cross-domain sounds.
Download CONMOD: Controllable Neural Frame-Based Modulation Effects Deep learning models have seen widespread use in modelling LFOdriven audio effects, such as phaser and flanger. Although existing neural architectures exhibit high-quality emulation of individual effects, they do not possess the capability to manipulate the output via control parameters. To address this issue, we introduce Controllable Neural Frame-based Modulation Effects (CONMOD), a single black-box model which emulates various LFOdriven effects in a frame-wise manner, offering control over LFO frequency and feedback parameters. Additionally, the model is capable of learning the continuous embedding space of two distinct phaser effects, enabling us to steer between effects and achieve creative outputs. Our model outperforms previous work while possessing both controllability and universality, presenting opportunities to enhance creativity in modern LFO-driven audio effects. Additional demo of our model is available in the accompanying website.1
Download Guitar Tone Stack Modeling with a Neural State-Space Filter In this work, we present a data-driven approach to modeling tone stack circuits in guitar amplifiers and distortion pedals. To this aim, the proposed modeling approach uses a feedforward fully connected neural network to predict the parameters of a coupledform state-space filter, ensuring the numerical stability of the resulting time-varying system. The neural network is conditioned on the tone controls of the target tone stack and is optimized jointly with the coupled-form state-space filter to match the target frequency response. To assess the proposed approach, we model three popular tone stack schematics with both matched-order and overparameterized filters and conduct an objective comparison with well-established approaches that use cascaded biquad filters. Results from the conducted experiments demonstrate improved accuracy of the proposed modeling approach, especially in the case of over-parameterized state-space filters while guaranteeing numerical stability. Our method can be deployed, after training, in realtime audio processors.
Download Balancing Error and Latency of Black-Box Models for Audio Effects Using Hardware-Aware Neural Architecture Search In this paper, we address automating and systematizing the process of finding black-box models for virtual analogue audio effects with an optimal balance between error and latency. We introduce a multi-objective optimization approach based on hardware-aware neural architecture search which allows specifying the optimization balance of model error and latency according to the requirements of the application. By using a regularized evolutionary algorithm, it is able to navigate through a huge search space systematically. Additionally, we propose a search space for modelling non-linear dynamic audio effects consisting of over 41 trillion different WaveNet-style architectures. We evaluate its performance and usefulness by yielding highly effective architectures, either up to 18× faster or with a test loss of up to 56% less than the best performing models of the related work, while still showing a favourable trade-off. We can conclude that hardware-aware neural architecture search is a valuable tool that can help researchers and engineers developing virtual analogue models by automating the architecture design and saving time by avoiding manual search and evaluation through trial-and-error.
Download Sample Rate Independent Recurrent Neural Networks for Audio Effects Processing In recent years, machine learning approaches to modelling guitar amplifiers and effects pedals have been widely investigated and have become standard practice in some consumer products. In particular, recurrent neural networks (RNNs) are a popular choice for modelling non-linear devices such as vacuum tube amplifiers and distortion circuitry. One limitation of such models is that they are trained on audio at a specific sample rate and therefore give unreliable results when operating at another rate. Here, we investigate several methods of modifying RNN structures to make them approximately sample rate independent, with a focus on oversampling. In the case of integer oversampling, we demonstrate that a previously proposed delay-based approach provides high fidelity sample rate conversion whilst additionally reducing aliasing. For non-integer sample rate adjustment, we propose two novel methods and show that one of these, based on cubic Lagrange interpolation of a delay-line, provides a significant improvement over existing methods. To our knowledge, this work provides the first in-depth study into this problem.