This paper discusses the sonic characteristics of the bucket-brigade device (BBD) and associated circuitry. BBDs are integrated circuits which produce a time-delayed version of an input signal. In order to reduce aliasing, distortion, and noise, BBDs are typically accompanied by low-pass filters and compander circuitry. Through circuit analysis and measurements, each component of the BBD system can be accurately modeled.

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In this paper, we present a thorough treatment of a harpsichord plectrum-string interaction which allows for large end deflections and both transverse motions of the string. We start from the general equations of motion of a bent beam, and an accurate shape of the plectrum is calculated, agreeing with existing known cantilever beam models when end deflections are assumed small. All the governing forces on the string are considered, and the complete motion of the string up to its release is simulated, allowing for future implementation on physical model sound synthesis of strings. Simulation results agree with what is experienced playing a real harpsichord string.

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In Mechanical Sound Synthesis, real mechanical devices are employed to create sound. Users can interact directly with the variables of the sound synthesis, making interactions more intuitive to both users and audience. We focus on real-time feedback control for Mechanical Sound Synthesis and provide a classification scheme using the reality-virtuality continuum. We discover an apparently novel paradigm, which is described as augmented virtuality for real-time feedback control. Exploring this paradigm, we present preliminary results from a system enabling a user to teleoperate acoustic percussion instruments with the aid of force feedback. Mechanical looping of the teleoperation trajectories and their transformations enables the synthesis of lifelike sounds with superhuman characteristics that are nevertheless produced by mechanical devices.

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