Download Modal Spring Reverb Based on Discretisation of the Thin Helical Spring Model The distributed nature of coupling in helical springs presents specific challenges in obtaining efficient computational structures
for accurate spring reverb simulation. For direct simulation approaches, such as finite-difference methods, this is typically manifested in significant numerical dispersion within the hearing range.
Building on a recent study of a simpler spring model, this paper presents an alternative discretisation approach that employs
higher-order spatial approximations and applies centred stencils at
the boundaries to address the underlying linear-system eigenvalue
problem. Temporal discretisation is then applied to the resultant
uncoupled mode system, rendering an efficient and flexible modal
reverb structure. Through dispersion analysis it is shown that numerical dispersion errors can be kept extremely small across the
hearing range for a relatively low number of system nodes. Analysis of an impulse response simulated using model parameters calculated from a measured spring geometry confirms that the model
captures an enhanced set of spring characteristics.
Download Object-Based Synthesis of Scraping and Rolling Sounds Based on Non-Linear Physical Constraints Sustained contact interactions like scraping and rolling produce a
wide variety of sounds. Previous studies have explored ways to
synthesize these sounds efficiently and intuitively but could not
fully mimic the rich structure of real instances of these sounds.
We present a novel source-filter model for realistic synthesis of
scraping and rolling sounds with physically and perceptually relevant controllable parameters constrained by principles of mechanics. Key features of our model include non-linearities to constrain
the contact force, naturalistic normal force variation for different
motions, and a method for morphing impulse responses within a
material to achieve location-dependence. Perceptual experiments
show that the presented model is able to synthesize realistic scraping and rolling sounds while conveying physical information similar to that in recorded sounds.
Download Dynamic Grids for Finite-Difference Schemes in Musical Instrument Simulations For physical modelling sound synthesis, many techniques are available; time-stepping methods (e.g., finite-difference time-domain
(FDTD) methods) have an advantage of flexibility and generality
in terms of the type of systems they can model. These methods do,
however, lack the capability of easily handling smooth parameter
changes while retaining optimal simulation quality and stability,
something other techniques are better suited for. In this paper,
we propose an efficient method to smoothly add and remove grid
points from a FDTD simulation under sub-audio rate parameter
variations. This allows for dynamic parameter changes in physical models of musical instruments. An instrument such as the
trombone can now be modelled using FDTD methods, as well as
physically impossible instruments where parameters such as e.g.
material density or its geometry can be made time-varying. Results show that the method does not produce (visible) artifacts and
stability analysis is ongoing.
Download Topologizing Sound Synthesis via Sheaves In recent years, a range of topological methods have emerged for
processing digital signals. In this paper we show how the construction of topological filters via sheaves can be used to topologize
existing sound synthesis methods. I illustrate this process on two
classes of synthesis approaches: (1) based on linear-time invariant digital filters and (2) based on oscillators defined on a circle.
We use the computationally-friendly approach to modeling topologies via a simplicial complex, and we attach our classical synthesis
methods to them via sheaves. In particular, we explore examples
of simplicial topologies that mimic sampled lines and loops. Over
these spaces we realize concrete examples of simple discrete harmonic oscillators (resonant filters), and simple comb filter based
algorithms (such as Karplus-Strong) as well as frequency modulation.